The Margin of Error
The Margin of Error is based on two different archive materials that both depict Sarek's National Park in north of Sweden. The pictures are partly Emanuel Cederqvist and partly Axel Hamberg's 100 year old photographs from a relatively unknown archive. As a landscape, Sarek hasn’t changed considerably since the last ice age around 10,000 years ago. The difference between the photographs is almost indistinguishable. It’s only the camera and the position in the landscape that set the pictures apart.
Cederqvist is interested in how the camera was seen as an instrument, a tool to measure, and take control over the nature. His own approach to hiking, and nature in itself, is more an opportunity to let go of control - to be open to the unpredictable. As a starting point for this project Cederqvist found a story about an weather observer, also named Emanuel, who worked at a weather station in Sarek. In september 1917 the observer disappeared in a snow storm and his body has still not been found.
At a plateau at 1830 metre altitude, just below Pårtetjåkkås peak, lies the weather station Cederqvist visited and photographed. The weather station was built by Axel Hamberg and was completed in 1914. During 1914-1918 the station was inhabited by two weather observers who performed precise measurements of the weather around the clock. In 1917, an accident occurred at the weather station at Pårtetjåkkå and one of the observers disappeared in a snowstorm. The accident remains a mystery, and the body was never recovered. Because of the site inaccessible geographical position, the station and the abandoned measuring instruments remained untouched for over a hundred years.
Emanuel Cederqvist's photo book "Det som blir kvar" is a moving documentation of what is left of an estate once its contents are divided up and sold off. His photos captures the intermediary stage between one life and the next, whilst retaining the objective gaze of administration.
"I have been a photographer for real estate agents in Gothenburg since 2009. The homes I visit are often clean, styled and the personal belongings are removed, nevertheless what is private is clearly visible. There are many different reasons why a house will be sold. Often it’s because someone’s life situation has changed radically. Separations, births or death. There is something extremely sad with the homes where someone has died. There is always a certain sentiment in the air. What remains is a collection of photos from the estates where someone just died, taken between 2009 and 2013."